Character Brett Ashley in Ernest Hemingway’s The Sun Also Rises Essay

The Character Brett Ashley in Ernest Hemingways The Sun Also RisesThere is a common perception among casual readers--who hasnt heard it voiced?--that Ernest Hemingway did not remark wo custody. The purpose of this essay is to examine one work in much(prenominal) a way as to challenge these heinous assumptions. Hemingways persona pass on be left alone. What will be examined is the role of women, as certify by Brett Ashley in The Sun Also Rises, and what, if anything, it reveals in the way of remission this account of Hemingway as misogynist. Brett Ashley enjoys a unique position of power in the original--in todays vernacular, she wears the pants in all her relationships. The feminist perspective, no doubt, will look this true, but rapidly move to the conclusion that Brett Ashleys power over men is Hemingways means of showing what a bitch she is. Id like to suggest other possibility. Despite Bretts many faults, she is worth loving, and Jake Barnes does just that. Again, the fe minist may say, yes he loves her, but as an idol, a doll, a figure admired from afar, as if eternally suspended on a pedestal. I consent that Jake is finable of this habit, yet he is always there for her, no matter the incommode it inflicts on his self-worth. At the end of the book, when Jake thinks the coast is clear, and hes gathering himself at San Sabastian by and by much revelry in Pamplona, Brett sends a telegram COULD YOU COME TO HOTEL element 109 MADRIDAM RATHER IN TROUBLE BRETT. (238) Brett has ditched her intended economise Michael, her lover Robert Cohn, and her number one supporter Jake Barnes, in order to do what? To satisfy herself with a nineteen year old hero of the diddlyshit ring. To assuage her fears of aging. For wasnt it pleasant dear, to be ... ...it, and respond accordingly. Hemingways gift of these characters says to the reader, Embrace life. That meat comes from one who loves people, even when they insist on games and head-trips and violence. Jake is a hero because he grabs the bull by the horns (I know, I know). He could be a dark mess of a man, but he is not. He is chivalrous, smart, and well-adjusted. He hurts, and has flash thoughts, but he is quick to joke about it. The characters in the novel that show signs of male chauvinism ar whipped about by events, and are in no way intended to be admired. Hemingway was no sexist. On the contrary, his work championed the womans cause, and in Brett Ashley he has given readers a heroine, hell-bent on liberation. Work Cited Hemingway, Ernest. The Sun Also Rises. New York Charles Scribners Sons, 1926. Reissued by Collier Books, 1986.