On Goethe’s “The Sorrows of Young Werther” Essay

Every piece of literature which alludes to the foolishness, audacity, and perhaps, sheer naivety of the old-fashioned play that is love, in its passions, pursuit, and myriad complex jubilations and devastations, is bound to appeal to at least one individual or the other. Humanity is inherently bring up or plagued by this encompassing sentiment, however fraught with woes and literary tremors it whitethorn appear to be, which is why poems, short stories, novels, and other literary works of fiction, in the flamboyant mood by which it recounts aspects of humanity, serve as fitting stages or platforms for the overplayed drama that is love.The German writer Johann Wolfgang von Goethe plays the aforementioned persuasion well, particularly in what many regard as a semi-autobiographical novel entitled, The Sorrows of Young Werther (1774). turn the novel can be easily and automatically categorized as a romantic piece of literary fiction based on the instance that it was published during th e height of the Romantic period that is 18th snow western Europe, it is also identified as such because it encompasses and reflects the spirit of the say era.The Sorrows of Young Werther constitutes, much like the title already aptly con nones, the striving of a five-year-old man named Werther, as he personally recounts the without end tragedy of unrequited love, through a series of letters turn to to his friend Wilhelm. Werther is impassioned and consumed by attraction to a woman who doesnt reciprocate his affections, much less(prenominal) pay attention to him, and who happens to be prosecute to one of his friends. Werther culminates his long drawn poetic divulgings, outcries, and sorrows in the act of suicide.For roughly people, the concluding drama and tragedy which exists in Goethes novel is all plausible, or realistic, given that it was fueled by the obsessive nature of attraction. Goethe affords readers a perspective of an attraction, of a sentiment, of a proclaimed l ove that may be juvenile and naive, only when is cold from healthy or harmless. It affirms and encompasses every romanticized intellection or cliche of love as an immense force far great than any individual all-consuming and agonizing, especially as in young Werthers case when it isnt reciprocated.It also highlights the great lengths people arising or turn to for the sake of love, however convoluted, or different, and maybe raze delusional, the form it takes may appear to be. These aforementioned great lengths arent unendingly necessarily a good write outg, in Werthers case for instance, it meant death. It meant killing the pain, meant dying in flesh and bones in the same manner he already had inside. It meant consummating the proverbial death which he was only open to hold on to for so long.It may be achingly juvenile, and infinitely naive, but it is the German writer Johann Wolfgang von Goethes take and translation of love, in its purest and unabashedly raw form devoi d of necessary standards, strictures and responsibilities of reason outable love. One which lives, and as already apparent, dies for the sole purpose of the said circus or travesty of an emotion so much so that it ascribes the instance of death, and particularly of suicide, as a course of action or undertaking which is suddenly deemed romantic, noble, or at the very least acceptable, where the passions of attraction and the agony of love is concerned. go this may appear utterly heartbreaking and romantic on the leaves of a paperback book, I have reason to believe that it should be hold to the said confines, and not translate to the real world. While most readers, and myself, may sympathize with Werthers plight, agony, and his aptly titled sorrows, I have reason to believe that love can also manifest in less explosive and immensely imposing ways.I believe that it exists and abounds throughout the greater part of humanity and the world we live in, despite what hideousness and ugl iness which surrounds the menstruum state of our country and the rest of the world may connote. It exists in something as mundane as an e-mail or phone call, a uncaring car ride, to seeming hallmark or kodak moments as the flying of kites, a little league team at play, a shared get up and to the familiar trivialities but authentic and wholly heart-warming dependability of broad shoulders, thin lips, welcoming cheeks, and the warmth of an embrace.Love exists in more than one description and translates in varying degrees and circumstances, an individual shouldnt decide to end his or her life because of a romanticized version of it. People should live through and for love, not die for it. As for sorrow, people should endure and keep every exquisite agony, because ultimately and essentially, sorrows affirm our humanity, and our capacity to love.Works CitedVon Goethe, Johann Wolfgang. (2006) The Sorrows Of Young Werther. Mondial.